- #VINCE DICOLA TRAINING MONTAGE MIDI FULL#
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Special thanks to both Rick and Kenny for going above and beyond, as always. Vince DiCola: All keyboards, orchestration and programming Produced by Vince DiCola & Kenny Meriedeth Music by Vince DiCola / Lyrics by Rick Livingstone Vince DiCola / featuring Rick Livingstone The song is currently up for consideration for this project so I wanted to get the word out. The song is entitled "Bound and Gagged" and was composed with the upcoming "Transformers" film sequel in mind. This is a new song I wrote with my good friend Rick Livingstone.
#VINCE DICOLA TRAINING MONTAGE MIDI SERIES#
Finally, biggest gap in Rocky soundtrack series is delivered! Vince DiCola composes, produces.
Vivid artworkĬourtesy of MGM, enthusiastic liner notes by Daniel Schweiger. Intrada presents score in crisp, punchy stereo mixed directly from original 24-track digital masters courtesy of Sony.
#VINCE DICOLA TRAINING MONTAGE MIDI FULL#
Many highlights include haunting piano/cello theme for "Apollo's Death and Funeral," powerful "Up the Mountain" sequence,ĭynamic "Training Montage," powerhouse "War," epic "Knockout" for full orchestra. Unleashed at last is rich score, initially for keyboards, ultimately for large orchestra. Intrada release offers entire score by Vince DiCola, including his arrangement of classic "Theme from ROCKY" by Bill Conti.
#VINCE DICOLA TRAINING MONTAGE MIDI PLUS#
Original album featured songs plus two excerpts from score. This is Vince's original score music that's never been available before.Īt last! World premiere of original score from mega-hit fourth installment of wildly popular ROCKY saga, starring Sylvester Stallone as iconic boxer, with Talia Shire, Burt Young, Carl Weathers - and formidable Russian Happy listening! - Vince (April 22, 2012) Taking and hope that our listeners will enjoy as well. It's definitely a musical journey - one we very much enjoyed Gotten more varied and even confusing at times, but I would best describe this music as instrumental ambient progressive. This offered me a welcome opportunity to move into some areas of production I had never explored previously.Ī major element that appears quite often throughout this collection is the use of what can best be described as "musical noise." The stylistic labeling of music these days seems to have With my focus being more on the arrangements and production of the material. Personal collection gradually morphed into a collaborative effort that Mike and I both felt should be made available to the music-buying audience. Consequently, what started out as an archival project for Mike's This project came about when my friend Mike approached me about taking some of his musical "sketches" andĪrranging and producing them utilizing some of the elements I've used in the past on some of my own original material.
The music offered in this new collection is a bit different from my normal film, progressive rock, jam band and pop/rock material,Īlthough there are elements of those styles sprinkled throughout the collection. We worked on this project off and on for about 18 months. Hello again to my fans here at TDRS music! I recently completed a joint project with a buddy of mine, Michael Fleischman, and we have been anxious for people to hear it. One of the first to exploit the Fairlight CMIĪnd Synclavier II computers' sequencing capabilities. The Movie," "Staying Alive" and "Rocky IV" soundtracks.ĭiCola also pioneered the use of sequencers on his American composer, keyboardist and arrangerīest known for his work on the "The Transformers:
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