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Ab libs to j cole deja vu
Ab libs to j cole deja vu







#Ab libs to j cole deja vu plus

We really wanted on the album and it was like we still wanted people to hear it but we didn’t want to put the music out because we knew it wasn’t a real representation of the album.”Īdblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others

ab libs to j cole deja vu ab libs to j cole deja vu ab libs to j cole deja vu

“The album was initially like 13, 14 songs and then just at the last second, we kind of were like, ‘Look, if we’re trying to tell a story, let’s just make it as clear as possible and cut it down to that.’ So when we cut out ‘False Prophets’ and ‘Everybody Dies,’ it really hurt,” Hamad said. ’ We didn’t really know the backstory at the time of what happened with Vinylz and Boi1da and who made the beat. What Bryson’s song did was incredible, and to Cole, it was like, ‘It’s a part of the story I want to tell, so I’m gonna use. “Cole had already made the song, so when Bryson’s album came out and we heard it, it was a feeling like, ‘Damn, he used the same sample.’ But to Cole, it don’t matter. We had already made ‘Déjà Vu,’ like that song was literally made for his last album and we just knew it would fit better because of the story he wanted to tell on the album,” Hamad said. “I wouldn’t say there was any hesitation because I felt like it’s just two totally different songs. Cole’s producer and Dreamville manager Ibrahim “Ib” Hamad explained why they decided to include the track despite its similarities to “Exchange.” Listen to Tiller’s “Exchange” and Cole’s “Deja Vu” below for comparison purposes.Now. Each one of those spins comes with money attached and chances are these producers are all having conversations with their managers and lawyers this morning. It’s not likely this will be the last time we hear of this one, not with Tiller’s “Exchange” performing on radio and his Trapsoul album doing very good numbers. “Point is they think they own all bounces, all sounds and anything they have had influence on. “These are the same niggas that called out when he BODIED ‘Controlla’ and dropped “Luv” cause they ‘invented’ the Caribbean sound lol,” he wrote. Teck proceeded to mock the two producers for acting as if they invented certain sounds. During the course of their tweets, Teck claims Boi-1da and Vinylz of trying to “extort” him for publishing, while Vinylz countered that Teck offered to give them credit, which he took to be another sign that Teck had basically stolen the beat. Where this one ends up is anyone’s guess. but don't steal my shit and put it out before me. I have no problem with producers being inspired and trying to sound like me.

ab libs to j cole deja vu

“Maybe can explain why to y’all why ‘Exchange’ and ‘Deja Vu’ sound similar… right ?” Boi-1da posted on Twitter. So, why would Cole rehash the beat from such a familiar song, one that charted on Billboard’s Top 40? According to Boi-1da and Vinylz, the producers behind “Deja Vu,” the beat for “Exchange” was lifted from them by Foreign Teck of The Mekanics, the production duo credited for working on Tiller’s tune. The dispute began when Twitter users began to question why Cole’s “Deja Vu” appeared to use the same beat as Bryson Tiller’s “Exchange.” The latter song was released as a single in March 2016 after originally appearing on the Kentucky native’s breakout project from 2015, Trapsoul. Cole’s 4 Your Eyez Only released on Thursday night and, while most people seemed to enjoy simply listening to the project, one song created a war of words between a trio of producers as they argued over who really created the beat in the first place.







Ab libs to j cole deja vu